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The House with Laughing Windows
Directed by
Pupi Avati
1976
1h 50m
Horror
,
Mystery
,
and more
7.0
71%
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Stefano, a young restorer, is commissioned to save a controversial mural located in the church of a small, isolated village.
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Where to Watch The House with Laughing Windows
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Cast of The House with Laughing Windows
Lino Capolicchio
Stefano
Francesca Marciano
Francesca
Gianni Cavina
Coppola / Writer
Giulio Pizzirani
Antonio Mazza
Bob Tonelli
Mayor Solmi
Vanna Busoni
Teacher
Pietro Brambilla
Lidio
Ferdinando Orlandi
Police Marshall
Andrea Matteuzzi
Poppi
Ines Ciaschetti
Concierge
Pina Borione
Paraplegic Woman
Flavia Giorgi
Poppi's Wife
Arrigo Lucchini
Grocer
Carla Astolfi
Chambermaid at Boarding House
Luciano Bianchi
Franchini the Librarian
Tonino Corazzari
Buono Legnani
Libero Grandi
Cesare Bastelli
Car Driver (uncredited)
Gina Bonacquisti
Woman Eating Pasta (uncredited)
Pietro Bona
Man at Restaurant (uncredited)
Paolo Gramignano
Victim in the Incipit (uncredited)
Zora Kerova
Waitress (uncredited)
Eugene Walter
Don Orsi / Legnani Sister (uncredited)
Giovanni Brusatori
Man at Restaurant (uncredited)
Pupi Avati
Director / Writer
Antonio Avati
Writer / Producer
Maurizio Costanzo
Writer
Gianni Minervini
Producer
The House with Laughing Windows Ratings & Reviews
Kevin Ward
1d ago
Stefano (Lino Capolicchio), an art restorer, was hired to work on a fresco in a small, decaying Italian village. The fresco, depicting the martyrdom of St. Sebastian, is the work of a mysterious local painter, Legnani, who was notorious for his macabre depictions of death and suffering. As Stefano digs deeper into the painter’s past, he uncovers a series of chilling secrets about the town, which seems to be hiding something deeply sinister. I really liked Avati’s direction, which used long takes, dim lighting, and ambient sound to build tension slowly. However, this also contributed to the film’s glacial pace, particularly in the first half. There’s not much in the way of kills and gore either, though I thought the few that are here looked great. I got more invested in the second half when Stefano got deeper into the mystery. The film's biggest saving grace is that ending—what an incredible wardrobe malfunction. I would have loved it if the film had gone on a little more after that last reveal, perhaps more about the town’s complicity in its dark history. I also think it’s funny that there’s always a moment in these Italian gialli where you suddenly see how the film got its long title. This film is no different. 👄
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