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Out of the Blue
Directed by
Dennis Hopper
R
1980
1h 34m
Drama
7.2
95%
79%
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A young girl whose father is an ex-convict and whose mother is a junkie finds conforming difficult and seeks comfort in a quirky combination of Elvis and the punk scene.
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Where to Watch Out of the Blue
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Cast of Out of the Blue
Linda Manz
Cebe
Dennis Hopper
Don / Director / Writer
Sharon Farrell
Kathy
Don Gordon
Charlie
Raymond Burr
Dr. Brean
Leon Erickson
Paul
Fiona Brody
Carol
David L. Crowley
Anderson
Joan Hoffman
Jean
Carl Nelson
Cabby
Francis Ann Pettit
Nancy
Glen Pfeifer
Glenn
David Ackridge
Teacher
Jim Byrnes
Party Singer
Glen Fyfe
Bouncer
Louis Gentile
Street Singer
Murdine Hirsch
Lollipop Girl
John Anderson
T.V. Interviewer
Howard Taylor
Garbage Dump Owner
Ron Chartier
Boy at Car
Ray Wallis
Boy at Car
Trevor Wilkins
Boy at Car
Nancy Gould
Girl in Car
Michele Little
Girl in car
Valentina Fierro
Girl in Car
Ray Isabelle
Party Scene
Sid Albina De Silva
Party Scene
Wayne McLeod
Party Scene
Eve Humber
Party Scene
Mike Spencer
Party Scene
Brenda Nielson
Writer
Leonard Yakir
Writer / Producer
Gary Jules Jouvenat
Writer / Producer
Jean Gontier
Producer
Out of the Blue Ratings & Reviews
peter woodman
2d ago
manz is the main attraction here but also fun to see how radically dennis hopper transformed a milquetoast story about a teenage runaway into a real dirt romp
Austin Chronicle
Josh Kupecki
As anthropology, Out of the Blue is engrossing; as a social document, it is essential; but as undiluted raw power, it is absolute. No filter.
48 Hills
Dennis Harvey
An intense, singular vision.
The Film Stage
Mitchell Beaupre
With Out of the Blue, Hopper makes you uncomfortable, squirm, and feel sick while watching, a sensation that only heightens as the film wears on.
Newcity
Ray Pride
Dennis Hoppers vital 1980 masterpiece was almost lost, as well as an accidental production from the start in Vancouver: goofily appropriate considering its punk rock subject and milieu.
Nashville Scene
Joe Nolan
Out of the Blue gives us bravura filmmaking and an energizing soundtrack, but its ultimately a very dark, disturbing story that cranks up the regular struggles and insecurities we expect in teen films until they explode.
Dolores Quintana
Dolores Quintana
OUT OF THE BLUE is as haunting as the Neil Young song that it is named for. Indeed, there is more to this picture than what meets the eye.
Film Threat
Michael Talbot-Haynes
Manz is the true author of her performance. The results are thunderous. Due to Manz's work here, the film is filled with poignant moments of cinematic power that one usually only finds in European cinema.
eFilmCritic.com
Peter Sobczynski
The result is probably the best of Hopper's directorial efforts -- it is certainly the most dramatically consistent of the bunch.
Combustible Celluloid
Jeffrey M. Anderson
It's a dire poem of rage and despair that feels truly alive.
4Columns
Melissa Anderson
Dennis Hopper made the film while still in the depths of his various addictions, yet the dark shambolic energy that both radiates from the actor and suffuses every minute of Out of the Blue never once overwhelms Linda Manz.
Moviegoing with Bill
Bill Arceneaux
It's challenging from the get-go, but oh so worth the grilling upon its explosive conclusion.
Backseat Mafia
Rob Aldam
A flawed yet intriguing drama which deals with a number of serious social issues in an unusual way.
Chicago Reader
Ben Sachs
A haunting portrait of juvenile delinquency that ranks among the most powerful in American cinema.
Boston Globe
Bruce McCabe
This film is an impressive demonstration of mastery of mood and tone that affects and engages the viewer at an emotional level so deep and instinctive that it seems both primal and profound
Village Voice
Aaron Hillis
In the late Dennis Hopper's mind a better film than Bertolucci's Luna and his own Easy Rider, the actor-director's brilliant, still shockingly subversive 1980 cherry bomb is as sad and unsettling as dysfunctional-family dramas come.
Village Voice
J. Hoberman
A genuinely alarming miasma of misplaced sexuality and rock 'n' roll fetishism.
Slant Magazine
Joseph Jon Lanthier
Out of the Blue depicts us as strung-out survivors who symbolically punish our transgressors with ferocity and loud guitars.
The New Yorker
Richard Brody
Hopper's characters are in the realm of the irreparable; if the fervent acting occasionally overheats, the reckless emotions nonetheless convey the authentic struggle of personal experience.
Chicago Sun-Times
Roger Ebert
The movie escalates so relentlessly toward its violent, nihilistic conclusion that when it comes, we believe it.
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